This is obviously a testament to the talent of the teams involved in designing the show. The world of Bridgerton is such a distinctive, idiosyncratic one, that everything, right down to a waistcoat, a ring or a hairstyle, carries a charm about it that takes you away as soon as you wear it. The only word I can describe it is magical. What is it like getting dressed in those elaborate regency era costumes each time you film? Do you have a personal favorite ensemble or accessory that your character has worn? Relaxed but restless, ‘but’ isn’t a great one admittedly, but you are being strict. How would you describe your character in three words? If I start getting involved in expressing anything about the character representationally, as an idea separate from me, a piece of writing with a trajectory, rather than a human being, then I feel like I’m not really doing my job properly. It’s my job to sit in the life of the character, and the writers to shape character as they see fit. How do you hope your character will evolve over the course of the series? The show has already been renewed for seasons 3 & 4 thus far. I just stare blankly and gibber random lines that belong in neither time period “but, like, sister, c’mon like…in truth ….” Claudia has never let that one go actually. We usually just end up looking like we’re malfunctioning robots. The scenes demand a certain aplomb, that’s lacking when you’re panicking, let’s say. With a modern piece you could just improvise your way out of a hole and keep going with the take, but inventing Regency lines on the spot, well, we’re not natural. What have been some of your favorite off-screen moments while filming season 2 of Bridgerton? You’ve talked about how much fun the environment is on set with your castmates.
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